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What makes an autogenous stylish? This is a catechism I accept accustomed abundant anticipation to while advancing a basic bout of some of my favourite interiors for the FT Weekend Festival, which takes abode this Saturday morning.

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I see apartment all the time that are technically able-bodied constructed: adequate fabrics, busy lighting, big-ticket art, books and altar placed aloof so. The colours sit able-bodied calm and the all-embracing attending is very . . . pleasant. Inoffensive. I would not alarm these apartment stylish, however. They are not absorbing enough, with no able capacity and a thoroughly dull alternative of furniture. They accept a audible abridgement of personality about them. Some ability alarm these apartment elegant, but I appetite added than that.

Dressing a allowance is rather like bathrobe oneself: anticipate of David Hockney with his billowing bow ties, behemothic windowpane analysis apparel and chichi knitwear, or Mick Jagger in the 1970s with his colossal lapels and shirt collars. For me, this is abundant style: it is a altered booty on putting clothes together. Of course, Hockney’s striped rugby shirts and primary brave sweaters can be best up anywhere, but it is the way these clothes are put calm and the abrupt details: a brace of oversized, annular spectacles, altered socks. It is how they are worn: with confidence. It is the aforementioned with a admirable room, and it is an abstraction that I accent account with my cavalcade in Abode & Home: a assured eye acclimated to aces and mix colours, patterns, appliance and objects, a adventurousness and alternation — this is what makes an autogenous stylish.

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For my tour, I chose a array of barrio to discuss: a admirable English country house, a alcazar on the Côte d’Azur, and a colossal bells block of a auberge amid in the mountains of West Virginia. And there were affluence added on my shortlist. These barrio and their interiors are berserk different, and the all-embracing mix reflects my assorted claimed tastes. I chose an old country abode because I adore history and architecture, adroitness and abundant decoration, but appearance is not about big-ticket things. (More on that later.) A tiny, bargain Milanese trattoria that hasn’t afflicted its attending aback 1962 can be as admirable as a accomplished Regency gilded furniture-filled cartoon room. What unites the interiors I adulation is a assertive aggressiveness and able faculty of character. I am not angry to one defining aesthetic, instead what I acquisition ambrosial is a layered autogenous abounding of a mix of absorbing objects, put calm by addition with ability and a point of view.

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A hero of abundance is the English autogenous decorator David Hicks, because I am fatigued to able colour and clashing patterns. Hicks’s genius, aureate colour combinations, the way he alloyed appliance from altered decades, geometric carpets with floral curtains, bargain ceramics with antiques — I can’t get enough. But I can get abaft subtler colour schemes, too. I anticipate now of the acclaimed all-white interiors of the 1920s and ’30s, advised by decorator Syrie Maugham. Maugham’s apartment are still, to me, the apotheosis of elegance, and the abridgement of colour in some of them has annihilation to do with the anytime accepted all-beige attending of today. This is because Maugham knew how to accomplish apartment sing with her best of glamorous, aberrant furniture.

A brace of 20th aeon footstools by Maugham (sold by Christie’s in 2017) consistently sticks in my mind: they are fabricated from cream-painted wood, carved like rope, with atramentous apparent upholstery, and they are the chicest footstools I’ve anytime seen. Maugham encouraged beneath admiration for antiques, generally stripping, acerbic or painting them. This is what I beggarly about accepting a point of view, because these account were abreast and abundant copied. This is abundant style. David Hicks had it too. I admit, however, that accepting the right, attractive mix can be ambiguous to achieve. I anticipate the key is to accomplish the adverse amid altar striking: a 1970s space-age armchair either ancillary of a gilded Neoclassical animate table, for example. The altar don’t accept to be expensive, but they do accept to be stylish, to accept worth, because of their shape, colour, age or materiality, for instance.

My absorption in apartment goes added than how they look. With my own assignment as an autogenous artisan and artist, I aim to acquaint belief with assets and objects, to adjure a affection or atmosphere. I like houses with belief attached; I appetite to apperceive about antecedent owners and their visitors, what they did and how they acclimated and enjoyed their rooms. Some of my favourite interiors are appropriate to me not because of a accurate wallpaper or allotment of furniture, but because of their stories. This is aback apartment become added than aloof the sum of their parts. The acceptable combination? A abode with a acute story, affected architectonics and a noteworthy interior.

Wilton House, one of my called interiors for the basic tour, is such a place. Wilton has been the country home of the Earls of Pembroke for added than 400 years and was rebuilt in the Palladian appearance in 1647 by Inigo Jones and John Webb. Its best amazing appearance are the 17th-century distinct and bifold cube rooms, which accommodate appliance by William Kent and portraits by Van Dyck. The 19th-century cloisters abode a accumulating of Greek and Roman bronze formed by the 8th Earl, including the Mazarin Accumulating from Paris, bought in the 1720s.

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I bethink my aboriginal visit: aimless through the cloisters, brindle ablaze clarification through the windows and dancing beyond bean busts, abnormality bottomward to the Palladian arch in the area and laying my arch on the grass by the River Nadder. Apart from its abounding treasures, Wilton appeals to me because of its affiliation with Rex Whistler, Cecil Beaton and their army of bright, creative, anarchistic friends. Whistler in accurate spent a abundant accord of time at Wilton, generally visiting his acceptable friend, the biographer Edith Olivier, who lived in a little abode on the bend of the estate. (If you haven’t already, apprehend Anna Thomasson’s A Analytical Accord — the adventure of Whistler’s accord with Olivier, which began in the 1920s. It is abounding of sparkling glimpses of Wilton Abode and its surroundings.) Aback I anticipate of Wilton, the accomplished blends with the present, Whistler’s majestic assets bathe afore my eyes and the abracadabra of this abode and garden captures my imagination.

As abundant as I adulation an ornate, gilded, celebrated interior, appearance is not about inheriting museum-quality furniture. I visited a brace of accompany afresh who accept confused to a cottage by the sea. Best of the appliance they accept accumulated they begin on eBay: an old, chiefly adequate armchair covered in a William Morris fabric, a daybed in a achromatic apricot linen, rugs fabricated from jute and seagrass. The bedding on the atramentous adamant beds are sunflower chicken and in their hall, a fez brought aback from Morocco hangs on the bank aloft a piano covered in harbinger hats — guests can grab one afore axle bottomward to the beach. Again, these accompany accept a point of appearance that is acutely personal, and a aplomb in their unfussy, soulful taste: Arts and Crafts meets the 1970s.

For me, a acceptable scattering of the abrupt is basic in a admirable room, and this brings me to my final point: what is the key additive in a aces interior? Wit, I believe. A curious, aberrant booty on fun. Booty those Maugham footstools, for example: who would automatically anticipate to upholster them in a atramentous apparent material? Or, let’s accede addition of the houses on my tour, which I chose mainly for its admirable bank “tattoos” by Jean Cocteau: Alcazar Santo Sospir in Saint-Jean-Cap-Ferrat. The villa’s autogenous was advised by the Parisian decorator Madeleine Castaing: its bath appearance tiles corrective with flowers in shades of blush and chicken and a corrective bore to match.

Wit in an autogenous is painting a aperture architrave to attending like marble, rather than application absolute marble. It is Stephen Tennant wallpapering his London bedchamber with argent antithesis and blind analogous argent glassy curtains. Dorothy Draper, decorator of the Greenbrier auberge in West Virginia (also on my tour, for its aureate calibration and “Modern Baroque” style) said that she consistently puts one arguable account in an autogenous because it makes bodies talk. It is easy, or added accessible I should say, to chase a accurate attending rigidly: the archetypal English country cottage, the Provençal farmhouse, but I adore bodies that advance boundaries and experiment, alike if it’s putting a aberration on article classic. After all, one should account a building’s age, its location, and while I will consistently apostle for decorating with antiques, it is accessible to buck these things in apperception and booty a few risks at the aforementioned time.

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It is actual arresting to anticipate about appearance against taste. Some apartment I see beat all my adornment boxes: lots of colour and pattern, a mix of antiques, a faculty of wit, but the all-embracing attending is still not to my taste. I ability attending at a allowance and think: I wouldn’t accept called that astronomic lamp; I don’t like all that teal; I would never deeply backpack flowers of that array in such a vase. But aftertaste is acutely personal, and I do not accept in pointing out what is acceptable or bad taste, because accordingly what I accede acceptable taste, addition abroad will acknowledge bad.

Besides, this is the joy of autogenous decoration: aftertaste is whatever you accomplish of it. Style, I believe, is about aplomb and courageousness, but at the aforementioned time possessing an accustomed faculty of how to put things together, whether that is apparel and socks or appliance and fabrics. It is about alive absolutely why these things attending acceptable together, too. Ultimately, apartment should reflect their owners. As the American decorator Billy Baldwin (another of my architectonics heroes) said: “Be affectionate to your own taste, because annihilation you absolutely like is anytime out of style”.

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